It’s time for the fourth (and final!) Steampunk Oz design! This time I’m using two skeins of Iachos in “Patchwork Girl” and “Deadly Desert.”
The Wheelers first appear in Ozma of Oz. Their arms are the same length as their legs, and all four limbs end in wheels made of fingernails. Their clothing is colorful and heavily embroidered. As a child, they terrified me! But, now I admire their attitude and steampunky outfits.
Wheels is a crescent-shaped shawl that features a high-contrast colorway in wheels and stripes against a neutral background. The wheels are worked flat, using short-rows to create the curve. The body is also worked flat, bottom up, from a combination of stitches picked up from the wheels and newly cast-on stitches.
This pattern can easily be lengthened by making more wheels. Each additional wheel will use approximately 32 yards of MC and 27 yards of CC. If you have two 400-yard skeins, you could safely begin with as many as 11 wheels.
Wheels is part of the Steampunk Oz Collection. Look for The Wizard (two skeins of DK yarn), Glinda (two skeins of fingering-weight yarn), and Winged Monkeys (two skeins of DK yarn).
It’s time for the third Steampunk Oz design!
Winged Monkeys calls for two skeins of Aesir in complimentary colorways. The sample uses “Ruby Slippers” and “Winged Monkeys” — the latter was influenced by this photo …
The Winged Monkeys were once a free people, living in the forests of Oz. They were carefree, but regrettably rather mischievous. They lost their freedom when the King of the Winged Monkeys, as a prank, tossed Quelala into a river, ruining his silk and velvet outfit. Gayelette (his fiancée) was furious and enslaved them to the Golden Cap, which allows its possessor to command the Winged Monkeys three times.
This shawl shapes a variegated colorway into the swooping curves of wings. A complimentary tonal colorway fills in the gaps and edges to create an easy-to-wear crescent shape.
Worked primarily in garter stitch, this design uses basic increases and decreases, slipped stitches, short rows, and picked-up stitches to create the shapes and join the pieces together.
Winged Monkeys is part of the Steampunk Oz Collection. Look for The Wizard (two skeins of DK yarn), Glinda (two skeins of fingering-weight yarn), and Wheels (two skeins of fingering-weight yarn).
It’s time for the second Steampunk Oz design! This time I’m using two skeins of Aesir in “The Wizard” — blues and yellows like this book cover…
Oscar Zoroaster was an ordinary ventriloquist and balloonist in Barnum & Bailey’s Great Consolidated Shows, until his balloon ropes twisted and he floated away to the land of Oz.
The stitch pattern on [The Wizard](/patterns/library/the-wizard-3) shows off high-contrast variegated colorways with a combination of no-wrap short rows and knitting on the bias. Colors pool between garter-stitch stripes, calling to mind the panels and gores of a hot air balloon. The stole is stretchy and drapes delightfully, curling in slightly at the edges.
This pattern is easily adapted to any yarn weight (just use the right size needle) and any yardage (cast on an even number of stitches, do as many repeats of the pattern as you like).
The Wizard is part of the Steampunk Oz Collection. Look for Winged Monkeys (two skeins of DK yarn), Glinda (two skeins of fingering-weight yarn), and Wheels (two skeins of fingering-weight yarn).
Seriously people … I think I have a new most-favorite hat ever:
Project: Sugarbunny Cloche Divined
Pattern: Cloche Divine
Designer: Meghan Jones
Available: FREE! on Ravelry
Yarn: Knit Picks Sugarbunny in Hawk
Some time back in 2011, I made mittens for a friend. In payment, she bought some yarn from my KP wish list: two balls of the limited-edition “Sugarbunny” merino/angora blend. Recently I got a PM on Ravelry asking if I’d sell a ball to someone looking to finish a sweater … I couldn’t do that without making a hat first, because I knew the hat would take one full ball and a bit of the second. Ergo: hat!
This was a remarkably quick knit. I cast on Dec 15th, and finished Dec 17th. The pattern has the entire hat knit flat and seamed, but I elected to knit in the round after the brim was complete. There were a few things that seemed overly fiddly to me — I saw no need to cut the main yarn while putting on the “tab” that “gathers” the short rows, for example — but that is a minor quibble with an otherwise excellent (and FREE!) pattern. The gathers are made with short row-shaping and then knitting the layers together to hold them in place. I made a size L (for my extra-big head) but began crown shaping at 7 inches (otherwise it would have been far to L, even for my extra-big head).
For Christmas, my in-laws gave me a copy of Weekend Hats. Swoon! I cast on and finished this sweet little hat in less than a week — I found the pattern absolutely addictive. My middlest son was kind enough to model for me … but I think this hat will be for ME, thank you very much :).
Project: Sea Drift Toque
Pattern: Drift Toque
Designer: Jocelyn Tunney
Available: in Weekend Hats ($15.30 on Amazon.com)
Yarn: Happy Feet DK in #52
This hat has a really cool construction! It’s worked sideways from a provisional cast on. The cables sidle back and forth using increases and decreases (hidden by the reverse stockinette), and the crown shaping is accomplished with short rows. I’m great at hiding short rows on the stockinette side — looks like I could use some practice hiding them on reverse stockinette too. At the end, the large graft is a bit of a bug-a-boo, but totally do-able. I only had to undo stitches once, and that was only 10 or so.
There is nothing like a big UFO purge and Ravelry Queue clean-up to make me really want to cast on something new! 🙂
First up: a Drift Toque from my Christmas copy of Weekend Hats. I’m using some stashed Happy Feet DK — the color is gorgeous, and a little hard to capture with my camera. I love the up-down cables and the sideways short-row construction. I opted to use the called-for needle size (instead of going down a size, which I usually do, thanks to my loose knitting habits). I have a huge head, and thought this might be enough to make the hat the right size for me. Alas, it looks like it might be coming out a touch small … but, I think I can add an extra “wedge” of hat + short rows and make it fit.
Next, I’m doing a Fyllyrd as part of the January KAL in the Beginning Lace Knitters group. I’m using my newly liberated Dream-in-Color Smooshy in the “Happy Forest” colorway. I have already used as much yarn as I frogged … SO the right decision. I just finished the first nupps repeat, and I am really enjoying it. If it looks like a neat pattern, join in the fun! This is an open KAL that will be running all month (and, usually, afterwards as people finish up).
I am using my other skein of DIC Smooshy (“Dusky Aurora”) for a different KAL (this one closed yesterday, so it’s too late to join in). SusannaIC’s January Mystery KAL features nupps, beads, and a cast-on of 300+ stitches. Fun times!
“Sun in Cold Water” is the September KAL in the Beginner Lace Knitters group on Ravelry. Since purchasing a ball of super-colorful Zauberball in March, I’ve been searching for a pattern that would show off the stunning colorway. After several failed attempts, I’d put the ball aside — but this pattern seemed like it would suit perfectly. I’m pleased with the results!
Pattern: Sun in Cold Water
Designer: Julia Faranchuk
Available: FREE! on Ravelry
Yarn: Schoppel-Wolle Zauberball in #1536
This shawlette is a crescent, worked from the bottom up. The designer’s intent was to allow intentional pooling of a short-repeat variegated yarn — of course my extra-long repeat Zauberball doesn’t do that. The initial cast-on is provisional — you come back at the end to work a loopy crocheted-chain edge. (You can also make the crochet chain first, and pick up every 6th st to cast on.) Short rows shape the body.
After my recent spate of shawlette-making, I’ve become opinionated. I made a number of modifications to this pattern, to suit my own preferences.
- using s2kp throughout instead of sk2p throughout
- changed last two rows of chart to line up better with the leaves
- short rows: did graduated lengths for a more crescent-y shape
- 3-st icord bind off at top edge
- bottom finish: SC in each loop, ch3 between (instead of ch6)
Before blocking, the lace edging was very rumpled:
I decided to pull out points, rather than pin each of the 259 crochet-chain loops:
The blocked shawl: