Dyeing with A Hundred Ravens

Last fall I met Kate, aka A Hundred Ravens, at the Fiber Festival of New England. When I say “met” … I mean I drooled over the yarn and roving in her booth, bought some of each, and staggered on to the next booth.  Our whole group of mad knitters agreed her colors were most excellent.  Later on, I spun up the gorgeous teal roving I bought from her, and made a cowl.  At some point I joined the Ravelry group for A Hundred Ravens. I noticed (how could I not!) that Kate was looking for designers to make patterns featuring her yarn.  Since I knew I’d be doing a second collection of one-skein shawls, highlighting indy dyers, it seemed like a match made in heaven!

Eventually we both got organized at the same time, and Kate invited me over to help dye the yarn for the shawl I was designing — wow!  I couldn’t have been more thrilled.  I dug around in my stash, turning up an undyed skein of rustic wool from a farmer’s market, plus I asked her to help my fix some “problem” yarn I’d received as part of a friend’s destash. Then, like a crazy person, I visited Mind’s Eye and bought two handfuls of merino roving and a big skein of Kona sport superwash. Yes, that’s right … I showed up on a stranger’s doorstep with a whole bag full of undyed stuff.  I have to admit I was a little worried that I would overstep the bounds of good guest manners….. but Kate was super welcoming and said I could dye any and all.

Let’s start with the yarn I was there to “help” dye — Iachos in the Styx colorway (newest iteration). Throughout the afternoon of dyeing, please know that the majority of work and so forth was Kate’s — she directed me and let me play, and I’d stammer out “maybe green?” and she’d produce a magical deep emerald color. So, credit goes to her in all cases — any mistakes are mine to own.

My two skeins of Styx:

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Next up: my farmer’s marker wool. I’ve had it since 2009, and I always wanted it to be robin’s-egg blue with brown spots (you know, like the real eggs).  That’s all I had to say, to turn this …

9215 Signal Rock Farm undyed wool yarn

… into this:

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It’s like magic! 🙂  I put on the brown spots myself, with a juice box straw.

I brought six skeins of KP Shimmer in a … shall we say, “difficult” colorway: Grape Hyacinth  Quick side story … some months ago, a totally unrelated person gave me five skeins of this exact colorway.  She had swatched with it and been unable to find anything that worked.  Laceweight yarn, with short color repeats of deep purple, bright white, and anemic mint green:

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It’s one of those colorways that looks ok on the skein, but the color repeats are so short, and the contrast so great … it’s really hard to knit it into anything that looks remotely nice. I read through the project notes for Grape Hyacinth Shimmer, and was shocked by the amount of frogging and the number of people who planned to over-dye the finished object.  I also didn’t find any projects that looked amazing … bah.  So, those five skeins went to “for sale or trade”

1330 rehomed lace yarn

Goodbye, crazy yarn! May you turn magically into something pretty.

Imagine my consternation and surprise when I opened up a big bag of free “good” yarn from a friend …. and saw six more skeins of this obstinate colorway. What?? I guess no one knows what to make of it. Thanks to the wonders of an expert dyer, I was able to turn this …

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… into this:

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Now I have 2600+ yards of totally pretty lace-weight yarn. If I can track down my copy of the Second Book of Modern Lace Knitting, perhaps this will become a Rose of England.

One important thing I learned from Kate is that superwash wool takes up dye like it’s going out of style, and untreated wool just lies there, looking wan and hopeless.  I really, really lie the “Ashes of Roses” look to this roving …

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… but you’d never guess we’d dipped it in rich purple and black. For the other hank of roving, Kate sent me home with a bottle of green dye. I put the roving in a bowl full of dye and microwaved it for 8 minutes. Heat did the trick!

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Last but not even a little bit least, my kona sportweight — totally beautiful.

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Thank you Kate! It was awesome to dye with you.

New Pattern Release: Sunburst Shawl

Introducing my latest pattern: Sunburst!

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Pattern: Sunburst

DesignerRachel Henry (that’s me!)

Available: booklet #9222 “Meadow Melody” (from Classic Elite Yarns)

Yarn: CEY Soft Linen in two colors; 5 balls of the main color (2235 “Winter Pear”) and 2 balls of the contrast color (2204 “Titian Blue”)

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Design/Skills Needed:

This triangular shawl is worked from the bottom edge up, which means the rows get shorter and faster as you go. Three distinct tiers of lace pattern help alleviate boredom, and highlight the change in colors. Transition points are softened with alternating rows of garter stitch. Lace knitters will be familiar with basic increases and decreases; this pattern also uses twisted stitches, double yarn-overs, k3tog, and sssk .

The shawl is large and drapey — it can be worn many ways! Check out this beautiful photos from the CEY photo shoot:

Cast-on Monday: Shrug

I finaly finished my green sweater last week.  It seems like sweaters for me always slip to the bottom of my knitting priority list. I cast on for this particular sweater in Jan 2012…. Just sayin’.  So, this week, I chose one of the six sweaters that I already have yarn for. I settled on a cotton shrug in worsted weight yarn — shoukd be a quick knit :.

CO Monday: design projects aplenty, plus some cabled mitts

A couple weeks ago, Classic Elite’s Web-letter featured the Fresco Garter Cabled Wristlets. Check out the awesome sample mitts:

I bought some Fresco in Plum (5332) — lovely warm purple — and cast on:

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Yes, those are Signature needles. I have a #3 set and a #8 set — both 32″.

I’ve also planned the shawls for my next collection. Like Lovelorn, each of the shawls in Airs Above the Ground will use a single skein (or equivalent) of fingering-weight yarn.  I’ve cast on for the first pattern, which uses Footlights, which is a bit unusual.  Rather than a single 100-gram skein, it is sold in bundles of four 25-gram skeins in coordinating colors, along with a special striped-sock pattern. Of course, I’m not making socks with mine … but I am taking advantage of this special put-up in the first shawl.

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As if this weren’t already enough, I’ve also cast on for a very special design project — for an upcoming “What Would Madame DeFarge Knit?” book. I’m so excited to be part of this awesome series.  I have some great yarn in a fabulous color, and it’s knitting up (dare I say) perfectly … I couldn’t be happier.  I’m not sure how much I’m allowed to share, or when, so for now I’m staying mum.

FO Friday: Aberystwyth the Quaker

This week, I have another handspun project for you …

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Project: Aberystwyth the Quaker

Pattern: Quaker Cowl

Designer: Lisa R. Myers

Available: FREE! on Ravelry

Yarn: my handspun, heavy worsted-ish, from A Hundred Ravens Merino Roving

This is a simple-yet-awesome pattern, perfect for colorful or slightly-irregular yarn. The cowl is worked in a simple 12-row pattern, on the bias.  The provisional cast on is grafted to the final row for a seamless finished cowl.  I will definitely be making it again.

For the curious … here’s the roving I bought…

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… and the yarn I made …

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… and a close-up of the finished look!

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Cast On Monday: Mosaic Bucket Hat and Pansy Prairie Shawl

This week I started two new projects.  The first is A Better Bucket hat, using some of my handspun yarn.  I wear hats all the time, especially in cold weather — more are better!

I also bought yarn for a KAL starting Feb 1 …. and already cast on.  It’s ok, don’t worry — I’m not in trouble. The designer, Nancy Whitman, assures us that the “Feb 1st” date is only approximate. Her Eden Prairie shawl is so interesting and graphic.  Worked entirely in garter stitch, in sections from live and picked-up stitches, this is a relatively “mindless” project much of the time, punctuated by occasional color changes.

Check out the awesome sample:

 

I settled on Alpaca Sox after much hemming and hawing.  Here are my colors:

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Charcoal for the border color, Pansy for the center squares, Wren and Oatmeal for the stripes.

FO Friday: Sugarbunny Cloche Divined

Seriously people … I think I have a new most-favorite hat ever:

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Project: Sugarbunny Cloche Divined

Pattern: Cloche Divine

Designer: Meghan Jones

Available: FREE! on Ravelry

Yarn: Knit Picks Sugarbunny in Hawk

Some time back in 2011, I made mittens for a friend.  In payment, she bought some yarn from my KP wish list: two balls of the limited-edition “Sugarbunny” merino/angora blend.  Recently I got a PM on Ravelry asking if I’d sell a ball to someone looking to finish a sweater … I couldn’t do that without making a hat first, because I knew the hat would take one full ball and a bit of the second.  Ergo: hat!

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This was a remarkably quick knit. I cast on Dec 15th, and finished Dec 17th.  The pattern has the entire hat knit flat and seamed, but I elected to knit in the round after the brim was complete.  There were a few things that seemed overly fiddly to me — I saw no need to cut the main yarn while putting on the “tab” that “gathers” the short rows, for example — but that is a minor quibble with an otherwise excellent (and FREE!) pattern.  The gathers are made with short row-shaping and then knitting the layers together to hold them in place. I made a size L (for my extra-big head) but began crown shaping at 7 inches (otherwise it would have been far to L, even for my extra-big head).

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CO Monday: Early Grey Lattice

This week I soothed a bout of cast-on-itis with a single new project.  I’m pleased to say I did NOT buy new yarn or a new pattern — rather, I started a project from my Ravelry queue: a worsted-weight shawl called Lattice (by Rose Beck), using some Madelinetosh DK in Earl Grey that I bought especially for this project.  Three skeins in this gorgeous colorway have been sitting in my project organizer since August … I’m pleased to say the colorway is working up beautifully, so far.

FO Friday: Heartsick Redeux

This project is for my Secret Santee … so now that Christmas has come and gone, I can share it!

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Project: Heartsick for SS

Pattern: Heartsick

Designer: Rachel Henry

Available: on Ravelry: $6 as a single pattern / $10 as part of the Lovelorn Collection

Yarn: BMFA Socks That Rock Lightweight — Rare Gems (Water)

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I feel like I just finished making the samples for the Lovelorn collection, but when I drew my friend K’s name in the Secret Santa swap … I knew exactly what I wanted to make for her.  I made her some teal Butterfly Mittens two years ago — and this yarn was definitely in the same color family.  On a second time around, Heartsick was just as fun to make.

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FO Friday: Borough For Sale

I finished this project a while ago, but I put off blogging about it, just in case.  These mittens are a commissioned project for someone’s mom.  I didn’t want to take the chance of spoiling the surprise!

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Project: Borough For Sale

Pattern: Borough

Designer: Veronica O’Neil

Available: FREE! on Ravelry

Yarn: Madelinetosh Tosh Vintage in Alizarin

I followed the pattern exactly, with one notable exception.  (See mitten surgery below!)  My friend’s mom really, really wanted flip-top mittens, but she couldn’t find what she wanted in shops.  She asked if I ever knit on commission, and I quoted her my rates … which usually scares people off.  (For custom work, I charge $0.25 per yard in the finished object.)  She didn’t even blink at the price — so we chose yarn, and I got to work.

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After completing the first mitten, it was clear that I would be short yarn by about ten grams.  It’s not uncommon for a pattern to be a bit off … it’s frustrating, but true.  I should have suggested ordering a second skein to be safe — especially since hand-dyed yarns like Madelinetosh can be difficult to match across skeins.  I ordered a second skein from WEBS and crossed my fingers …. but it didn’t work.  The new skein was WILDLY different — I couldn’t use it with the yarn I already had.

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What to do, what to do?  The pattern as written had generous cuffs.  I decided I could salvage the necessary 10 grams from the cuff of the first (already-completed) mitten, and make the second mitten with a matching shorter cuff.

To begin the surgery, I put circs through at the beginning and end of the section I planned to cut out. I was very careful to catch ALL the stitches.

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Next, I cut the yarn a few inches before the top, and carefully picked out the row below the circ there.

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It was easy to rip back to the lower circ.  I wound the salvaged yarn into a tiny precious ball, and left just enough yarn attached to graft the cuff back together.

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Here is the grafted cuff — you can see a bit of loose grafting if you look closely, but it is nearly seamless.

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