CO Monday: Handspun Edition

I couldn’t resist casting on a bunch of projects using my very own handspun yarn!

With my big batch of 2-ply Sleep Hollow, I’m making a Molly scarf.  I’m super excited about how it’s coming along — what a great little pattern for a yarn with long color changes!  (No wonder, since it was designed for Liberty Wool … )

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I have a tiny bit of merino-silk 2ply made from leftovers of the Sleepy Hollow yarn, so I’m making an awesome coffee cup cozy (seriously, the pattern is called “We’re Just That Awesome Cup Cozy“). So far I love how the pattern is working up.

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Finally, I’m using my gradient skein of Mad Color to make a Lamina scarf. I’ve only done a few rows, but I’m thinking I might need to go down a needle size or two. I’ll finish a motif and see how it looks …

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NEW pattern: Galanthus (and a story too!)

I’m in Knitty! I’m in Knitty!

If you follow me on Facebook (or Twitter), or if you’re on my brand-spankin’-new email list … or, if you devoured the Winter 2013 Knitty as soon as it came out … you already know that my lacy top Galanthus is out, and in great company.

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Of course, I have Galanthus queued (along with some delicious Malabrigo Sock in Lettuce that I set aside for it over a year ago … read on for that story). I’ve also queued cabled sweaters Lempster (those sleeves!) and Key and Knot, cowls Princess Franklin (plaid!) and Moebius Braid, as well as  Roses socks, Skullcracker hat (cool construction!), and Sssstarter mittens. I can’t promise you that they’ll all get made, but they made the first cut and are in my queue, at least.

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PatternGalanthus

DesignerRachel Henry

Available:  FREE in the Winter 2013 Knitty

Yarn: Kelpie Fibers Taliesin MCN Sock Yarn (950 – 2400 yards, depending on size)

Galanthus is a dramatic lace top features the traditional snowdrop lace pattern on a full skirt and long belled sleeves. At the high waist and just above the elbow, the transition from lace to stockinette is marked with rows of horizontal chain stitch. The round neck is finished with the same stitch to bring the entire garment together.

The front, back, and set-in sleeves are all worked flat from the bottom up. The neck edge is worked flat after one shoulder is seamed. The side seams in the body and sleeves will stabilize the lacy fabric and help prevent sagging. Any solid or semi-solid colorway will be beautiful in this pattern.

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The Story Behind Galanthus

More often than not, selling a pattern goes something like this… I’m inspired by a call for submissions, so I swatch and put together proposal.  I send it in, cross my fingers, and wait.  Lately I’ve been getting a lot more “yeses” than “nos” (which is awesome).  I get yarn, I make a sample and write up the pattern, I send everything in. Tech editing and photography happens, usually without my involvement. Some time later (usually 3-6 months), the pattern is published.

Sometimes though … there’s a bit more of a saga.  Sometimes I have a pattern that has a hard time finding a home; sometimes publication is delayed (and delayed again). Sometimes I get conned and have to have friendly strangers in another country reclaim my samples. Galanthus has had an unusual path to publication, and there’s no hard feelings … so I thought I’d give you all a little window into how it came to be in the Winter 2013 Knitty.

It began with a call from Knit Picks for their 2013 Late Winter/Spring collection. The call came out in May 2012.  I loved the color palette and came up with a design for their cotton/linen blend.  I swatched with something similar from my designing oddments stash:

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Here’s the sketch that I made for that submission — note the short sleeves!

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This was Knit Picks’ first collection, and I’m sure they got a TON of submissions.  I wasn’t among the chosen. Alas. I moved Galanthus from the “Submitted” column to the “Homeless” column on my whiteboard, and worked on other things.

In late June I was very excited to see a call for The Sock Report 2.  I had absolutely loved the first Sock Report, and a chance to be part of it … wow!  Great photography, and I loved that they had people test knit before publication. After looking over the call, I decided I could turn Galanthus into a sock-weight yarn garment with a more wintery look, since TSR2 was scheduled for “Holiday 2012.”  I knew I’d have to knit fast, since samples and patterns were due September first!

Here is my sock-weight swatch and revised sketch that I submitted to TSR2:

 

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Note the longer sleeve, higher waist, and more squared-off neckline:

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I was thrilled when they said yes to Galanthus! I actually submitted two proposals (the other I eventually self-published as Flock) — they liked both, but preferred Galanthus, and were only taking one pattern per designer. I received my yarn in mid-August and got right to work. My first stab at the neckline wasn’t quite right (too narrow) — I ripped back and re-did it, and I think you’ll agree the final version is superior.

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I mailed the sample on time and sent in my pattern. The test knitter and tech editor were awesome — we worked through some details on the pattern to make sure it would fit as many people as nicely as possible.  Then I waited. And waited.  The publication date was pushed to January, and then February … I will admit, I started to worry.

Then came the news that the publisher (Janel Laidman) had lost her husband.  The Sock Report 2 was cancelled. We designers would get our samples back, and would be released from contract and were free to publish elsewhere.  I was terribly sorry for Janel and her family — what a sad thing.

With this news, Galanthus was back in the “Homeless” column … but worse, in a way.  I’d done all the work, but had no home for the design.  It made me think of Knitty back then, because one of the hard things about getting into Knitty is that you must submit designs with already-completed samples and photography. I just-so-happened to have a good friend who is also a great photographer!  I’d hoped to get photos done in time to submit for the First Fall issue, but I didn’t get my sample back in time.

In the mean time, I’d seen the call from Twist Collective for their Winter 2013 issue.  I thought it was worth a shot — if they liked it, I might even get away with sending in the already-knit sample, although I was (of course) willing to re-knit the garment in yarn of their choosing ;).  Twist said no.

By the time I heard back from Twist, the deadline for Knitty’s Deep Fall issue had slipped by … and, well, I was a little busy with all that Fiber Factor stuff :). When I had to photograph Winter Beach for Challenge #3 of the Fiber Factor, I added Galanthus to the photo shoot.  My model (Ana) absolutely loved Galanthus — she really turned on the charm when she put it on!  Donna Kelliher did justice to both garments (my everlasting thanks to her for her skills and help!).  Photographing knitwear outside on one of the hottest days in July …. well, I wouldn’t recommend it, but we all managed to make it work.

For the next few months I was immersed in Fiber Factor challenges, but I did put together a submission for the Winter issue of Knitty. I honestly wasn’t sure I should … it seemed like a better fit for Spring, frankly, with all that orange color and barefoot-on-the-dock photography.  But, I reasoned, if they wanted to bump it to Spring they were welcome to — and if they said no, I could put together a self-published pattern in time for spring, no problem.

As we now know, Knitty said yes!  I have submitted other designs to Knitty, but this is my first time getting in. I couldn’t be more thrilled :).

 

 

Spinning Update

One thing I’ve been doing a lot more of lately is spinning! I thought I’d share some photos of my handspun yarn.

First up: Sleepy Hollow

My husband bought me the 2nd and 3rd shipments from the brand-new Rockin’ Whorl Club (by Blue Moon Fiber Arts).  My friend Jen got the first shipment, so I was able to see the roving and read the dyers notes for that as well.

The 2nd shipment had two braids of dyed-to-match roving.  The bigger one was 5 oz of 100% BFL mix; the smaller, 3 oz of 50/50 merino and mulberry silk.

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The notes suggested that we spin the BFL fluffy, and the merino/silk skinny, and then ply them holding the skinny ply a bit tighter so that the fluffy ply to make the fluffy ply stand out and spiral around.  I put in my best effort, and got about 324 yards of 2-ply, in a heavy worsted weight. I had some of the merino/silk skinny single leftover, so I plied it back to itself and got about 64 yards of sport-weight 2-ply.

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This one is the all-skinny 2-ply:
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Next up: Midnight in Gallifrey

Last May I bought two pounds of super-soft blue-black roving at the New Hampshire Sheep & Wool Festival, with plans to spin a sweater’s worth of yarn. It is a 65% wool, 25% alpaca, 13% silk blend from Gurdy Run Woolen Mill.

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I’d spun a bit of it using my old (only) style, and the resulting yarn was skinny and harsh.  After a lesson from spinning friends, I’m able to spin a loftier/softer yarn — I’ve finished two big skeins of it so far — it’s turning out as a heavy DK/light worsted.  I plan to use Amy Herzog’s Custom Fit application to design the perfect sweater for my non-standardized handspun yarn.

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Next up: Mad Color BFL

Another purchase from NHSW: a braid of roving from Mad Color Fiber Arts. The “cowgirl” colorway seemed like it might be suited to some gradient spinning … something I really wanted to try.

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I split the entire braid in half, then split each half lengthwise. I spin white to black to white for each half, then plied them together. While plying the color changes were staggered a bit, so there is some barber-pole effect at the transitions. I kinda like how it helps the colors blend. I ended up with about 280 yards of roughly sport-weight yarn.

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It’s pretty skeined, but it’s even better caked!

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Last but not Least: Re-Plies

One important bit of feedback from the spinning circle was that my yarn was “overspun and underplied.”  I decided to run several skeins through the wheel again, just to ply them a bit more.  I was happily surprised that the resulting yarn was MUCH MORE like real yarn — plush instead of harsh, coherent instead of stringy.  Here are some “before and after” shots…

Long Island Livestock Llama

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Long Island Livestock Mystery Blend

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Touch of Magic

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Cast-On Monday: Pretty Ginger Socks, Chateau Clapotis

I finished a pair of socks for myself last week, so it’s back to the “socks for mom” project. I cast on for pair #4 on Saturday, using Sock Tosh in Ginger and following Fosco’s Pret-Pret-Pretties pattern (by Heather Ordover). I’m looking forward to learning the Welsh Heel!

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I also bought three skeins of Chateau in a lovely soft pink. I’m making a scarf-width Clapotis for my MIL for Christmas. Don’t tell! 😉

Tips and Tricks: Winter Beach’s m5-3b

People are making Winter Beach! This makes me ridiculously happy. I wrote up some swatching directions to help knitters succeed.  In addition to the customary stockinette gauge swatch, I give directions for a shaping/lace swatch, to practice the techniques used in the pattern.  In particular, the “m5-3b” stitch (found at the base of each flower) is new to many.  Whenever possible, I try to practice any totally new stitch on a swatch, instead of risking my garment.

I made a quick video for m5-3b (aka, make 5 stitches, 3 rows below), and today’s blog post includes a step-by-step picture tutorial.  Learn whichever way suits you best!

Here’s the practice swatch, first in Kenzie and then in Inca Alpaca.

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The quick tutorial video:

And now, for your tips-and-tricks pleasure, the photo tutorial for m5-3b!

Stitch definition for m5-3b:  Make 5 sts by (k1, yo, k1, yo, k1) in stitch 3 rows below first stitch on left-hand needle (after m5 is complete, drop stitch off left-hand needle, allowing three rows to ladder down to m5 row)

Step#1: Identify the target stitch, into which we will be working.  The first stitch on the left needle is “zero” — count down 1, 2, 3 holes. In this photo, the right needle is beginning to enter the target stitch.

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Step #2: Knit 1 through the target stitch

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Step #3: Yarn over

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Step #4: Knit 1, then yarn over

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Step #5: Knit 1 (this is the fifth and final stitch made)

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Step #6: Drop the first stitch off the left needle — allow 3 rows to ladder down (they are secured within the (k1, yo, k1, yo, k1)

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Step #7: M5-3b is complete!

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FO Friday: Firebird Rhea Silvia

I finished, finally! 🙂 I give you … a very BRIGHTLY colored cowl/wrap:

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Project: Firebird Rhea Silvia

Pattern: Rhea Silvia

Designer: Sara Morris

Available: $6 on Ravelry

Yarn: A Hundred Ravens Iachos in “Midst Her Fires”

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Two skeins of Iachos ends up being not quite enough yarn for a Rhea Silvia.  If I’d read the pattern thoroughly, I would have know this. Instead, I got caught off guard … fortunately, I was able to bind off a row or three early on both edges, and it still looks pretty good.  Even with blocking, I’m finding the border flares more than I like.  If I make another Rhea Silvia, I’ll probably decrease more when transitioning from the cabled body to the border in order to limit/eliminate this flare.

That said, I’m delighted with the end product! Kate’s yarn shines (glows, even!) in this pattern. The striping and pooling of hand-dyed yarn can be SO much fun!  I’ve been wearing it doubled-up (see below) and getting lots of compliments.

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Tips and Tricks: Knit Shopping List

Dear reader … how do you manage your shopping at big yarn festivals and fairs?  Inquiring minds want to know!

At both the New England Fiber Festival and Stitches East, I armed myself for efficient shopping my own specially-formatted list of projects for which I would permit myself to buy yarn. Although I was chuffed with myself for being a  brutally deliberate buyer-of-yarn, I didn’t think the list itself was anything particularly special.

Well, color me wrong! Yet again. I showed the list to people, hoping to get congratulatory pats on the back. Heck, I’m only buying yarn for projects I might actually someday make! But, they were more interested in the list itself. For each pattern, I have a picture to remind me what it looks like (stolen from Ravelry and shrunk to 1″ high), info about the yarn required (mostly weight and yardage, plus any other details), and room for comments.

Here’s my list for NEFF:

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Don’t you love how I’m permitting myself to speculate in sock yarn, but only up to two skeins worth?

I bought yarn for some of these projects at NEFF, so my list for Stitches East has some repeats and some new items:

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You can download my knitting shopping list as Word doc, pre-formatted for your knit-shopping pleasure. I’ve even put in specs for several Remily Knits patterns. You know, just in case.

 

 

 

 

Cast-On Monday: Handspun Twist & Shout, Farfalla in Fall

I’ve been doing a lot of spinning since the New England Fiber Fest — I’ll save the details for a FO Friday post, but for now feast your eyes on my long-draw woolen 2-ply from Spunky Eclectic’s hand-painted Targhee roving:

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This was my first time with a new spinning technique, so the finished product is a bit unevenly spun and is definitely “thick and thin” in weight.  I chose a simple pattern for bulky yarn that would let me wear the sumptuously soft, pretty blue yarn right by my face: Twist and Flounce by Sharon Dreifuss.  I love how it’s working up so far:

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I also started a project with the test skeins from the gradient dyeing day with Kate.  I met Christiane Burkhard (of Lismi Knits) at Fiber Festival, and got to see her Farfalla in person.  It had been in my queue for quite a while, and seeing it in person made me bump it up in my queue.  I had had plans to knit some faux-isle mittens and hat with the coordinating/contrasting skeins of bright fall colors and slate gray, but the yarn was perfect for a Farfalla.  The design here is so clever, and it’s an enjoyable knit so far:

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FO Friday: Winter Track Mitts for Seth

I made some mitts!

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Project: Winter Track Mitts

Pattern: Fried Chicken Mittens (modified)

Designer: Ellen Mason

Available: FREE on Ravelry

Yarn: Longmeadow Farm 100% Merino Wool

The Fried Chicken Mittens pattern is one of my favorites.  The mittens fit great, and the pattern is quick and easy to followp So, when my eldest son asked for a pair of warm mittens for outdoor track practice this winter, I knew exactly which pattern I’d use.  Yarn choice was fraught — he wanted “dark blue or dark grey” with little or no color variation.   I showed him some tweedy blue from my stash, and he wanted to know what “all those white flecks” were for :). No go on the tweedy blue. Fortunately, I found the perfect skein of plush worsted merino at NEFF:

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I was a little afraid it would be TOO heathered for his delicate sensibilities, but lucky for me — he gave the subtle colorway the official teenage thumbs up. Since he had originally asked for mittens, I started making mittens.  About halfway through the palm I did a fitting, and he asked if I could “stop making them before the fingers closed.”  After a quick conversation I realized he was asking for fingerless mitts, so that’s what I made.

He liked them so much, he let me take a picture or two!

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